Just a reminder for anybody interested that Cartoon Network’s newest show, OK K.O.! Let’s Be Heroes is set to debut tomorrow night (August 1st) at 6:15. For the impatient, the first few episodes are online right now.
I bring this up because the show is the brainchild of Ian Jones-Quartey, well known as a Steven Universe alum. It got its start in 2013 as part of a shorts program from Cartoon Network, became a web series that debut on YouTube and on CN’s Website last year, and is now set to hit Cable TV. Continue reading →
“E-vac-u-ate!” – Mayor Dewey, putting “get out of dodge” succulently.
Airdate: March 12th, 2015
Written By: Raven Molisee and Paul Vilecco.
Plot: Lapis’s warning was rather prescient, as a hand of death makes its way from space into Beach City. The town bails out, and Steven is sent along to keep them calm and help them carry on. However, Steven encounters a disquiet when he realizes the sheer scale of the conflict and that the Crystal Gems may have thrown themselves to the wolves.
Well, after two long years, here I am – the end of Steven Universe Season 1.
And what a season it was. I mean, consider that the show was advertised as “some kid rooms with aliens, eats ice cream, and acts like a dork”. Now consider that Season 1B has exposed our protagonists as psychologically messed up, unsure of what the hell they’ve been doing or will do, and you start to realize that either Cartoon Network’s marketing department is incompetent, or Sucrose played them (and, by extension, us) for fools. In a good way.
With Steven Universe cementing itself as a more (albeit not exclusively) serialized dramedy in Season 1B, it was imperative that the two-part finale serve as the coda to the themes that this season was built on. Now the question is – what does “The Return” do to make said coda as effective as possible?
The answer – it focuses on Steven. That’s a good sign.
(And it’s written by the duo that’s partially responsible for “Rose’s Scabbard”. Even juicier!)
My laptop lives to blog another day, baby! The fault was resolved, no data was lost (thank god), and at least one review will be out next week. I know this matters little in the grand scheme of things (I mean, come on, Sean Spicer quit today, depriving the world of a prime source for memes), but I just wanted to provide some closure to those that might have been a tiny bit worried. (OK, that’s not many people, but still.)
Amazingly, despite being without my normal laptop the past three days, I did not descend (further) into insanity. I used my iPhone to surf the web and stuff (personal discomfort with typing full-blown posts on my phone kept me from posting a review), fired up my XBOX One and played some video games, and even took to Hulu to watch some TV shows. I mention that last part because, while I did catch some Star Vs. The Forces of Evil and Star Trek: TNG, I did begin to watch one particular science fiction show that I’ve been dying to watch for a while.
I’ve “only” seen seven episodes as of this post (I’ve never been one to binge-watch), but Cowboy Bebop has managed to pique me so far. For the uninitiated, the show revolves around a group of destitute bounty hunters aboard the Bebop. They try and take down criminals to earn their keep, pay off their debts, etc. In effect, it’s a western IN SPACE!
The character development is impressive, the soundtrack is sublime, the animation is memorable, the balance between comedy and drama is spot on… in short, I’m really liking it. I don’t know if I’ll be reviewing it in the future (if at all), but I’m not ruling it out.
So, where was I? Oh, yeah – the laptop lives. We now return you to your regularly scheduled program.
“Movie tickets? That’s hardly worth destroying a car!” – Homer Simpson. To be fair, that is a fine piece of logic, that I’m sure will carry through the season.
Airdate: September 26th, 1999
Written By: Mike Scully
Plot: An electric car manufacturer entices potential buyers to test drive with possible gifts. Homer’s reward for test-driving (read, destroying) the car is two tickets to a test screening of Mel Gibson’s newest movie, Mr. Smith Goes To Washington. While Marge (who is infatuated with Mel) loves the movie like most of the audience, Homer is much more critical. It’s Homer’s critique that gets through to Gibson, however, and the duo embark on a controversial edit of the film to amp up the action.
Wow! I’m actually impressed! I can tell from this episode alone that Season 11 is going to be haphazard. That takes a special kind of effort, writers, but you showed it! Good for you – enjoy my somewhat neurotic rant on this episode.
Yup, Season 11 starts off on a rather… less than satisfactory note with the aptly-titled “Beyond Blunderdome”. (They tried to make a punny, and they made a funny in ways they didn’t imagine.) So, what do we have here? Jerkass Homer? Homer getting a job? Zany schemes? Jerkass Homer getting a zany job? Well, you guess right if you got the latter, but there is one big issue with this episode that would damage it, even without the Mike Scully cliches.
Well, here we are… Season 11 of The Simpsons. We are halfway through the Mike Scully era. And from the looks of things, I think we might be in the doldrums here.
I mean, consider that this season premiered just weeks before the 10th anniversary of the first full episode of The Simpsons. The show had spanned through the 90s, had made it through both the Bush Sr. and Clinton eras, saw the rise and “fall” of Grunge, and even was one of the few shows to cross from the pre-Internet and “internet” generations. There were and are people (myself included) who have never known the world without The Simpsons on TV.
It’s easy when you’ve got all the information.
Inside help, no investigation.
No questions in the House, no give and take.
There’s a big bang in the City.
We’re all on the make…
– “Shopping”, Pet Shop Boys
Today, July 12th, 2017, is notable for being few things:
A Wednesday, which means you’re gonna need a nice big cup of coffee;
One of the few days without any major sporting events in America (only Wimbledon); and
A day of action to support the idea of Net Neutrality.
So, I know what you’re all thinking… what is ESPN going to talk about apart from Wimbledon? Don’t worry – they’re probably talking about Lavar Ball and how he’s trying to perfect the foot sandwich. Maybe Carmelo Anthony will get traded by dinner time tonight. Oh, there’s also the Mayweather/McGregor fight.
Plot: Pearl’s EMP, constructed to destroy the robonoids, instead takes power out in Beach City. With the power still out the morning after, Mayor Dewey is forced to go to the Crystal Gems to try and get some assistance. Steven tags along and gets an inside look at how spin works, as well as how the facade of strength factors in the chain of command. Kinda timely
I know it’s a bit of a strange way to start off a review of Steven Universe, but stay with me…
Why was Donald Trump elected President of the United States?
I don’t pose that question in a “holy macaroni, we actually elected him” sort of way, although, holy macaroni, we actually elected him. I pose the question in a more contemplative, analytical way – what drove so many people to vote for a political neophyte? The answer, like most things in life, is complex. Reasons given include a rejection of the Democratic Party and the perceived elitism in modern culture, a feeling of the working classes being left out economically and socially over the past few decades, Secretary Clinton coming off as inauthentic and manufactured, concerns over terrorism and crime rates, a few votes used him as a vehicle for more odious rationales, etc.
Still, say what you will about the man, but President Trump’s campaign was undeniably grandiose. That made him stand out amongst a crowd of politicians that stuck to their own platitudes – all while creating a few of his own, ironically enough. He promised his supporters the world by appealing to their Id (even if that attracted and included more insensitive and politically incorrect elements), and generally speaking, it worked enough to get him in.
Now, what does this have to do with our silly little TV show? (Besides the fact that the writers probably got inebriated the day after the election?)
Three words – Mayor Bill Dewey.
…you’re all prepping your torches and pitchforks, I presume?
“In the event of a water landing, I have been designed to serve as a flotation device.” – Data. That’s the best piece of dialogue in the whole movie.
Premiere: December 11th, 1998.
Written By: Rick Berman and Michael Piller. (Directed by Jonathan Frakes.)
Plot: The Federation has to deal with a conflict on a planet that seems to generate youth. The Ba’ku and the Son’a are in cahoots, and the Federation seems to side with the Son’a. However, Picard and Co. seem to have a conflict with this arrangement, particularly after hearing the Ba’ku’s side of the conflict… and encountering the youth-generating properties of the new planet themselves.
There’s a general consensus in Star Trek fandom that Season 1 of The Next Generation is, well, not up to par. Various reasons have been cited, but the one that seems to take precedence was the overly moralizing tone that the first season had. Granted, Star Trek has always been about exploring the human condition, but there was a certain smugness to the first season of TNG – this idea that humanity had reached perfection, and the mere thought that earlier civilizations or those that had different ideas (read, those that went against Roddenberry’s socialistic utopia) were wretched and needed to be talked down to. Considering that this show was made in the Reaganite/Thatcherite era, it’s a small wonder that it didn’t get axed after one season.
Thankfully, Roddenberry was kicked upstairs and the show’s reputation improved dramatically. It became less pretentious, the characters became far more likable, and hell, conflict between the characters began to pop up. By the time TNG ended seven years later, it had etched itself as one of the most beloved TV shows of the late 80s/early 90s time period.
By 1998, the Star Trek franchise had evolved, with Deep Space Nine adding far more character complexities and an over-reaching plot – the Dominion War – to the entire Star Trek universe. Still, evolution doesn’t necessarily mean perfection – DS9 was coming to an end the year after, having been punted to poorer timeslots due to the decline of syndicated drama; the consensus was that Voyager massively underperformed in terms of writing, with some accusing it of the same smugness that seeped through early TNG; and ratings for both never reached the heights of TNG. There was this slow feeling coming in that the franchise was starting to run out of steam.
First Contact, though, was a resounding success commercially and critically – guaranteeing a 9th movie for the franchise. To keep up, Trek would need to continue to build its universe on a larger scale, keep in tune with the events of Deep Space Nine, to learn from the writing flaws of Voyager, etc. Frakes was back in the director’s seat, and Rick Berman was teamed up with Michael Piller to pen the new movie. Would the franchise that gave us Kirk and Picard boldly go into the 21st century?
Well, Insurrection came in and gave us our answer.
Far, far more boring than TMP. Yes, I went there – I was more fascinated by The Slow-Motion Picture than Insurrection.
Well, here we are. The first episode of Season 1B’s ending arc.
It’s been a long time, eh?
To frame it all, the end of Season 1A was epochal in the grand scheme of the series, expanding Steven Universe’s universe (heh) far beyond Beach City into the darkest and deepest depths of space. However, the heart of the show still lies solely amongst the Crystal Gems and their interactions with each other and the worlds they are trapped between. Aliens on Earth, expelled from their own land, all but raising their dead leader’s son while shutting out his father, they are in a continuous balancing act.
“The Message” finally confirms that the house of cards that they built up for many years has finally, completely collapsed – and while many are involved, no one else bears witness to this like Greg does.
(And yes, I am aware this makes our second Greg episode in a row. Neat, eh?)