“C’mon people – this poetry isn’t gonna appreciate itself!” – Bart Simpson, of all people. Drugs – they do weird things.
Airdate: October 3rd, 1999
Written By: George Meyer
Plot: One of Bart’s stunts during a Fire Prevention event at Springfield Elementary results in the destruction of the gym. Having had enough, Skinner concluds that Bart has Attention Deficit Disorder, and makes his enrollment at the school conditional on a prescription of Focusyn – an experimental drug meant to combat ADD symptoms. While Bart does become much more focused, there’s also the odd side effects, such as a paranoia about satellites spying on him…
Well, episode 1 of Season 11 was a bust. Next time I want to watch a satire of Mel Gibson, I’ll just throw on that South Park episode where he turns into Daffy Duck and goes full blown Road Warrior because two kids dared criticize his movie. Not even the shifty-eyed dog could save that.
Thankfully, the season does improve with “Brothers Little Helper”. While flawed, I do think it does more to capture what The Simpsons can do at its best – analyze our society, in this case, mental disorders and how we diagnose/treat them, alongside the pharmaceutical industry. Continue reading →
“Movie tickets? That’s hardly worth destroying a car!” – Homer Simpson. To be fair, that is a fine piece of logic, that I’m sure will carry through the season.
Airdate: September 26th, 1999
Written By: Mike Scully
Plot: An electric car manufacturer entices potential buyers to test drive with possible gifts. Homer’s reward for test-driving (read, destroying) the car is two tickets to a test screening of Mel Gibson’s newest movie, Mr. Smith Goes To Washington. While Marge (who is infatuated with Mel) loves the movie like most of the audience, Homer is much more critical. It’s Homer’s critique that gets through to Gibson, however, and the duo embark on a controversial edit of the film to amp up the action.
Wow! I’m actually impressed! I can tell from this episode alone that Season 11 is going to be haphazard. That takes a special kind of effort, writers, but you showed it! Good for you – enjoy my somewhat neurotic rant on this episode.
Yup, Season 11 starts off on a rather… less than satisfactory note with the aptly-titled “Beyond Blunderdome”. (They tried to make a punny, and they made a funny in ways they didn’t imagine.) So, what do we have here? Jerkass Homer? Homer getting a job? Zany schemes? Jerkass Homer getting a zany job? Well, you guess right if you got the latter, but there is one big issue with this episode that would damage it, even without the Mike Scully cliches.
“If you wanna be my lover
You gotta get with my friends
Make it last forever
Cos friendship never ends…”
“Don’t you have school?” “Don’t you have work?” “Ah, touche.” – Homer and Bart, recognizing just how silly these plots are getting.
Airdate: March 28th, 1999 Written By: John Swartzwelder. Plot: The Simpson family (bar Lisa) go to the Slaughterhouse, a steakhouse where the waiters kill the cow in front of the patrons. One menu item is a 16lb steak that only two people finished – Tony Randall and trucker Red Barclay. Homer decides to take on Red… but while Homer loses, the contest doesn’t end too well for the trucker. Feeling remorseful, Homer decides to take on Red’s last route to Atlanta, and Bart hops on for the ride.
Meanwhile, Marge and Lisa decide to install a new doorbell – one that plays “Close to You”. Their patience to have somebody ring the doorbell wears thin, however, and eventually Lisa takes the plunge… one that will ultimately prove detrimental to the neighborhood’s sleep schedules.
Oh, yeah! Set your amps to max, turn your hairdryers to Max Power, switch your radio over to Max FM, and take your son Max over to Lake Destiny, because we’re in for our second Maximum episode in a row! Time to shift it into “Maximum Homerdrive!”
Through my life, the “road trip” has been a favorite pastime of mine. Thus, episodes of TV shows revolving around road trips seem to lure me in. And I have to admit it – “Maximum Homerdrive” is actually an episode I rather like. Yeah, it’s silly, contains a rather thin plot, and probably the pinnacle of “Homer Gets A Job” plots that dominate Season 10. But, for some reason, I get a nostalgic feeling with this episode.
“Anger is what makes America great. But you must find a proper weapon for your rage.” – Sgt. Crewe. Personally, I watch Simpsons episodes produced during the show’s decline and complain about them on a blog.
Airdate: February 21st, 1999 Plot: While trying to flee a variety show, Homer sees the four-wheel strength of the Canyonero. He goes to buy it, only to get the “F-Series” – a version of the car targeting women. His fear of being labeled gay has him toss the keys to Marge (read, has him hotwire her old car). Marge gets behind the Canyonero, and immediately gains some impulse. Unfortunately, this translates into road rage – one that gets her sent to Traffic Court. This proves ineffective, though, and eventually, her license is suspended… just in time for an incident at the zoo that, for some reason, requires her help. (Go on, guess why?)
As I mentioned in my review of “Coach Steven”, America seems to be the nation that runs on pure, unbridled Id. Power seems to permeate from every single thing we do – the biggest homes, the most powerful cars, the most passionate politics, etc. Granted, this is a broad generalization, but there is truth in the stereotype of the powerful American. Here, this episode takes a look at the SUV – arguably the most powerful type of car in existence – and how even the meekest of us can become power hungry. Unfortunately, it’s in execution where the episode falls apart. Continue reading →
Plot: One of the midseason shows, Police Cops, features an Ace-type detective named Homer Simpson. This gives Homer a burst of popularity because of the similar names. However, a retool turns the detective into a lout, turning Homer into the joke of the town. After a plea to the executives falls less than flat, he finally decides to sue them. After that court case is thrown out, he asks for a name change to Max Power. With that name, he gains the attention of the A-List in Springfield.
Review (SPOILERS): Can television characters become deeply ingrained in our national psyche? Of course. Can it get to the point where it affects the lives of people with similar names? Likely. This is the topic that the episode was trying to take on, I think. Unfortunately, it’s execution is quite a bit wonky, leading to a rather silly third act conclusion. Continue reading →
Airdate: January 31st, 1999. Plot: Through a series of barely connected events, Homer meets up with a travel agent who manages to get him and his friends to ride a coach bus to the Super Bowl, all for free. Thing is, their tickets have a problem – they’re fake. Their attempt to go to the game… well, just look at the above image and guess how well that fared.
Review: I am a fan of the New York Football Giants. I’ve never been to a game (because being in the largest media market gives you the right to charge $100 for a low-end ticket and god-knows-what for food and stuff), but I’ve been watching the team on TV practically every fall for the past twelve years. The 42nd and 46th Super Bowls were some of the greatest sports memories of my life. And even with the team’s recent malaise, I won’t give up hope that the Giants will reach the top of the Football Mountain once again.
What does this have to do with “Sunday Cruddy Sunday”?
…nothing! Absolutely nothing! …I kid, I kid… the episode does feature Football. And, much like the end of the past four Giants seasons, it hurt to watch and barely held any connection to anything. Continue reading →
Synopsis: Dust from the demolition of Burns’ casino sends the Simpsons to the car wash. There, Homer finds out that Ned uses the seniors’ card to get a discount. At church, Homer gets a confession out of Ned – he’s actually 60 years old. His youth comes from a rather clean lifestyle. However, Ned comes to think about his point in life – that he just might be a bit too predictable.
Upon seeing Homer act like an idiot, he tries to get advice from the man. Homer’s advice involves going to Burns’ Casino… which was blown up. Therefore, the two take a road trip to Las Vegas. Homer’s lifestyle eventually makes an impression on Ned, and the two wake up the next morning hungover, in a suite, and married to two cocktail waitresses.
Review: In the season 5 episode “$pringfield”, the town decided to legalize gambling, with Mr. Burns as the main investor in the initiative. With Burns’s Casino, “$pringfield” lampooned the entire casino establishment – the encouragement of gambling even towards addicts, the incompetence at trying to quell problem gamblers from their worst urges, and even the hidden vices that are found in the most unlikely of characters – in that case, it was Marge that turned out to be a gambling addict. It was a quirky episode, and a fun one at that.
In this episode, “Burns’s Casino” is blown up. And while it’s unintentional, I can’t help but feel the irony, as this episode does a damn good job spitting on the classic era.
Synopsis: A trip to the Bi-Mon-Sci-Fi-Con goes horribly wrong when Mark Hamill doesn’t talk about Star Wars at his panel. With a riot breaking out, and Mark and the Mayor’s lives threatened, Homer barges through the nerds and rescues the duo. Quimby promptly fires his old bodyguards and replaces them with Homer. This, however, leads to trouble when Homer winds up discovering that a deal with the Mafia to send low-quality milk to schoolchildren went too well (read, the Mafia was using rat’s milk.)With the ring busted, Fat Tony threatens Quimby’s life.
Review: OK… Homer gets another job. Over the previous eight episodes, he’s been a grease jockey, an inventor, a personal assistant, a hippie, and a coward on the Ship of Lost Souls (although that last one only lasted mere minutes before he got thrown out.) So, why did the writers give him another job? I think, in reality, Mark Hamill just walked by Ron Hauge at some restaurant in LA, Hauge thought of an episode where Homer and Mark met up, and before you know it, Homer’s a bodyguard.
Anyway, this episode was better than “Kidney Trouble”. Then again, a test pattern would’ve been better than “Kidney Trouble”. Continue reading →
Synopsis: The whole family (plus Abe, for reasons needed to generate the plot) take a trip up to Bloodbath Gulch, a ghost town turned tourist trap. There, Abe drinks way too many sasparillas, and Homer refuses to stop for a rest stop on the way home. End result? Abe’s kidneys blow out, and Homer is the only available donor. While initially willing to go through with the procedure, fears brought on by his friends cause Homer to bolt from the operating table.
Review (SPOILER): To paraphrase Futurama, Mike Scully, you raised my hopes and dashed them quite expertly, sir! Bravo! Yup, two steps forward with “D’oh-in” and “Lisa Gets an “A””, and one moonwalk back with “Kidney Trouble”, among the most despised episodes in The Simpsons history. So, my expectations heading into this episode were lowered quite a bit.
Synopsis: While parasailing at Lake Springfield, Homer literally crashes into Kim Basinger and Alec Baldwin’s house. Rather than call the cops or the paramedics, they befriend the idiot. Apparently, the two hang out at the summer house to try and escape the press. Homer quickly becomes their personal assistant, yet has to check his impulses that could expose them to the media.
Review: While we have seen Homer’s character begin to slip over the past season, in my opinion, Season 10 had three key episodes that cemented the change in character from “lovable everyman” to “obnoxious Creators Pet/Jerkass Homer”. These include “Homer Simpson in Kidney Trouble” (cementing his callous actions as practically normal), “Viva Ned Flanders” (cementing his omnipotence and role as centerpiece in the town of Springfield), and today’s example in how to tarnish the legacy of the most treasured sitcom in American history, “When You Dish Upon a Star”. Here, we focus on Homer not only meeting up with celebrities, but also becoming their assistant… despite damaging their house.