“That’s pretty clever, Dad. I mean, for a product that’s evil and deadly!” – Lisa, trying her hand at marketing criticism. Hey, she was a food critic, sort of.
Airdate: November 7th, 1999
Written By: Ian Maxtone-Graham
Plot: Homer’s newfound penchant for declaring duels to get what he wants ends badly, when a Southern Gentleman takes up on his offer. Facing a duel by pistol, he and the family skip town and become farmers. Initially unsuccessful, they wind up tapping into an untapped market, thanks to some tobacco seeds, some tomato seeds, and radiation.
Over the past few seasons, The Simpsons has slowly embraced weirder, more outlandish elements in their plots. While there was always a cartoonish aura to the show, most of these elements in the first eight seasons were there for a quick joke, particularly in the David Mirkin era. Suddenly, with the Mike Scully Era taking hold, entire plots began shifting in the third act to a more cartoonish climax – ironically, as the animation became more stolid, and as the rest of the writing skills (characterization, plot development) began flatlining.
Season 11, in particular, is infamous for these more zany twists. Examples given include a swordfight between Homer and a motorcycle gang, Maggie gaining superhuman strength in a time of crisis, self-dancing tap shoes, and everybody’s favorite, the society of evil jockeys.
“E-I-E-I-D’oh!”, in particular, has a rather interesting “third-act twist” – one where Homer, during his new job (again) farming, becomes a tobacco baron. Thanks to tomatoes. And plutonium.
No, this wasn’t written on cannabis, as far as I am aware. Continue reading